Author: Jennie Litt

Regina Zona @ The Triad, 12/8/19

In her regal cabaret debut, “Becoming … The Queen 2.0,” opera (and now cabaret) diva Regina Zona ruled the stage and conquered the hearts of her audience.  This was the most splendid debut show I have ever had the privilege of attending: confident, sparkling, personal, and a triumph from start to finish.  

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Deborah Stone@Pangea, 9/30/19

What does a triple threat do when her professional dancing days are over?  In Deborah Stone’s case, she creates a love-letter of a show to the dancer that she was, highlighting her graceful acting skills and her resonant, clarinet-like mix.

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Daniel Cainer @ Urban Stages 6/29/19

British import Daniel Cainer’s one-man show, “Gefilte Fish & Chips,” drew a capactiy crowd to Urban Stages to revel in the humor and humanity of his stories-in-song about four generations of his Jewish family in England.  As well as performing the show, Cainer wrote and composed it, and functioned as his own one-man tech crew and orchestra.

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Those Girls@LBT, 5/4/19

Those Girls rerprise their show at the Beechman on Monday, June 3, at 7 p.m.  Try not to miss it, but if you do, there’s always “Those Girls Sing The Boys, Volume 2” to look fowsrd to.  I know I’m looking forward to it!

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Martin Vidnovic @ GR42 4/13/19

Martin Vidnovic brought a touch of Vegas at its cheesiest to The Green Room 42 in “Broadway and Beyond,” a program of standards featuring the Broadway veteran’s brazen baritenor and a barrage of corny jokes.

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Rev. Mary and Her All-Man Band @ Pangea 4/6/19

Rev. Mary is an edgy, rollicking, big-voiced entertainer who has made a specialty of mining the 20th century songbook for tunes about the taboo.  In “I’m SOOO High!: Rev. Mary’s Reefer Revue,” the Rev. (Mary Elizabeth Micari in real life) and her All-Man Band revived obscure blues numbers celebrating jazz cabbage—you know, jive? Catnip? Tea?  Mary Jane?—with raucous good humor.

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Marquee Five @ LBT, 3/1/19

Marquee Five reprised their newest show, “Back Porch Swing: Swingin’ Standards in Knockout Harmony,” at the Laurie Beechman Theatre, and it was exactly that: a knockout.

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